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Bach's Accent steigend and Accent fallend
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In the "15 Inventions and 15 Symphonies" (aka "Two- and Three-Part Inventions"), Bach uses an articulation sign, called "Accent steigend" or "Accent fallend," to indicate a grace-like note ascending or descending to the articulated note. The sign is placed about where the head of a grace note would go. It looks like a large backwards comma, or small left parenthesis. This articulation occurs in Inventio 3, shown in the third bar of the example. I defined a variable, \BachAccentFallendFromGrace that modifies an appropriately placed grace note to look like the Accent fallend. The Accent steigend should have the vertical placement adjusted slightly differently. <lilypond version="2.24.0"> %% http://lsr.di.unimi.it/LSR/Item?id=656 BachAccentFallendFromGrace = { \once \override NoteHead.stencil = #(lambda (grob) (grob-interpret-markup grob (markup #:raise 0.2 #:large #:musicglyph "scripts.lcomma"))) \once \override Stem.stencil = ##f \once \override Flag.stencil = ##f \once \override Stem.length = #0 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% timeKey = { \key d \major \time 3/8 } firstPart = { a'16( g' fis' e' fis' d') | a'8( b' cis''16\mordent d'') | %%%%%%%%% Here is the example use cis''8 \BachAccentFallendFromGrace \grace b'8^( a'8) d'' | %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% d''8 d' d'' | d''8 d' d'' | \bar "|." } secondPart = { r8 r8 d16 e | fis16( e g fis e d) | a16( g fis e fis d) | a16( fis b g fis e) | a16( fis g e d cis) | \bar "|." } \score { \new PianoStaff = Keyboard << \new Staff = "upper" << \timeKey \clef treble \new Voice = "first" { \firstPart \bar "|." } >> \new Staff = "lower" << \timeKey \clef bass \new Voice = "second" { \secondPart \bar "|." } >> >> \layout { \context { \Score % Prevents hidden grace from influencing spacing in lower staff % but can be left out if other grace notes are affected \override SpacingSpanner.strict-grace-spacing = ##t } } } </lilypond> [[Category:Expressive marks]] [[Category:Tweaks and overrides]]
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