Slashed sixth in chord mode: Difference between revisions
Appearance
Import snippet from LSR |
m Lemzwerg moved page Slashed sixth in chordmode to Slashed sixth in chord mode without leaving a redirect |
||
| (4 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
If you need a slashed sixth degree, commonly found in figured bass, but in chordmode, here is a very basic way of formatting the markup to get it done. | If you need a slashed sixth degree, commonly found in figured bass, but in chordmode, here is a very basic way of formatting the markup to get it done. | ||
<lilypond version="2.24 | <lilypond version="2.24" full> | ||
%% http://lsr.di.unimi.it/LSR/Item?id=549 | %% http://lsr.di.unimi.it/LSR/Item?id=549 | ||
| Line 43: | Line 43: | ||
[[Category:Symbols and glyphs]] | [[Category:Symbols and glyphs]] | ||
[[Category:Chords]] | [[Category:Chords]] | ||
[[Category:Snippet]] | |||
Latest revision as of 06:06, 24 November 2025
If you need a slashed sixth degree, commonly found in figured bass, but in chordmode, here is a very basic way of formatting the markup to get it done.
\version "2.24"
%% http://lsr.di.unimi.it/LSR/Item?id=549
\paper { tagline = ##f }
myChordDefinitions = {
<es g ais c>-\markup \super {
\combine
6
\raise #0.3 \rotate #-75 \bold /
}
}
myChordExceptions = #(append
(sequential-music-to-chord-exceptions myChordDefinitions #t)
ignatzekExceptions)
myChordInit = {
\set chordNameExceptions = #myChordExceptions
}
music = \relative c' {
c2 f
}
chord = \chords {
\myChordInit
c2 f:m6+
}
\score {
<<
\chord
\new Staff \music
>>
}