Arrow notation and transposition for quarter tones: Difference between revisions
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You list all the pitch-changes that your notation distinguishes, and then choose what symbols to use for each pitch pitch-change. Transposition uses your defined pitches: <code>\transpose bes, c \music</code> takes the difference between your pitch <code>bes</code> and your pitch <code>c</code> and shifts every pitch in <code>\music</code> by that amount. If the resulting pitches have an alteration with an entry in the <code>glyph-name-alist</code>, that symbol is printed. A missing entry generates a warning. You can put as many alterations in <code>glyph-name-alist</code> as you like. | You list all the pitch-changes that your notation distinguishes, and then choose what symbols to use for each pitch pitch-change. Transposition uses your defined pitches: <code>\transpose bes, c \music</code> takes the difference between your pitch <code>bes</code> and your pitch <code>c</code> and shifts every pitch in <code>\music</code> by that amount. If the resulting pitches have an alteration with an entry in the <code>glyph-name-alist</code>, that symbol is printed. A missing entry generates a warning. You can put as many alterations in <code>glyph-name-alist</code> as you like. | ||
<lilypond version="2.24 | <lilypond version="2.24"> | ||
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