Pages with the most revisions
Showing below up to 50 results in range #251 to #300.
- Several procedures to print different bar numbering rules (5 revisions)
- Flute slap notation (5 revisions)
- Cow and ride bell example (5 revisions)
- Percent repeat counter (5 revisions)
- Simple lead sheet (5 revisions)
- Polyphony in tablature (5 revisions)
- Hiding the extender line for text dynamics (5 revisions)
- Nesting staves (5 revisions)
- Cross-staff arpeggio brackets (5 revisions)
- Skew markup (5 revisions)
- Time signature in parentheses (5 revisions)
- Applying note head styles (shapes) based on pitch or note name (5 revisions)
- Woodwind diagrams key lists (5 revisions)
- Metric modulation with tuplet (5 revisions)
- Makam example (5 revisions)
- Line arrows (5 revisions)
- Breaking vertical alignment of dynamics and textscripts (5 revisions)
- Magnetic lyrics: snap syllables together if the hyphen inbetween is too short (5 revisions)
- PianoStaff without braces (5 revisions)
- Changing the chord names to German or semi-German notation (5 revisions)
- Circle of fifths (5 revisions)
- Printing bar numbers inside boxes or circles (5 revisions)
- Changing beam knee gap (5 revisions)
- Clip systems (5 revisions)
- Analysis brackets with labels (5 revisions)
- Of the ubiquity of markup objects (5 revisions)
- Changing the positions of figured bass alterations (5 revisions)
- Using double slurs for legato chords (5 revisions)
- Tambourine example (5 revisions)
- Changing the appearance of forced, cautionary and suggested accidentals (5 revisions)
- Changing text and spanner styles for text dynamics (5 revisions)
- How to change fret diagram position (5 revisions)
- Printing bar numbers for broken measures (5 revisions)
- Single-staff template with only notes (5 revisions)
- Color gradient using Postscript (5 revisions)
- Vertically aligning dynamics across multiple notes (5 revisions)
- Multi-measure rests over a cadenza (5 revisions)
- Free meter – increasing the bar number wherever you want (5 revisions)
- Quoting another voice with transposition (5 revisions)
- Tempo (metronome) marks with approximation sign (5 revisions)
- Creating arbitrary lines following notes across staves (5 revisions)
- Contemporary glissando (2) (5 revisions)
- Vertical line as a baroque articulation mark (5 revisions)
- Controlling the placement of chord fingerings (5 revisions)
- Adding an extra staff at a line break (5 revisions)
- Cross-staff stems (5 revisions)
- Using ly:grob-object to access grobs with \tweak (5 revisions)
- Printing metronome and rehearsal marks below the staff (5 revisions)
- Changing chord separator (5 revisions)
- Glissandi can skip grobs (5 revisions)