List of redirects

Showing below up to 50 results in range #51 to #100.

51. LSR 1040 → Circle of fifths
52. LSR 1042 → Drawing a keyboard with scalable size and correct positions of the black keys
53. LSR 1043 → Drawing an accordion standard stradella bass system
54. LSR 1044 → Using numbers as part of Lilypond variable names
55. LSR 1045 → Slur with two turning points
56. LSR 1046 → Different font size settings for instrumentName and shortInstrumentName
57. LSR 1047 → Circled numbers for live electronics
58. LSR 1048 → Automatic slash for slashedGrace and acciaccatura
59. LSR 1049 → Write text on the right of a staff
60. LSR 1050 → Curved arrow
61. LSR 1053 → Force a cancellation natural before accidentals
62. LSR 1054 → Guitar strum rhythms (2)
63. LSR 1055 → Add wings to all repeat barlines (simple version)
64. LSR 1057 → ChordNames in a ChordMarkup-context
65. LSR 1058 → Piano “half sustain pedal” indications
66. LSR 1060 → Color gradient using Postscript
67. LSR 1061 → Ladder-style C clef
68. LSR 1062 → Chords with stretched fingering for FretBoards and TabVoice
69. LSR 1063 → Adding a special post event function to implement precise MIDI velocity value control
70. LSR 1064 → Dynamically creating notes with precise MIDI velocity value control
71. LSR 1065 → Held note (tenuto) fingering
72. LSR 1066 → Fancy glissando
73. LSR 1068 → Circled pattern markup
74. LSR 1069 → Tam-tam example
75. LSR 1070 → Tambourine example
76. LSR 1071 → Percussion example
77. LSR 1072 → High and low woodblock example
78. LSR 1073 → Cow and ride bell example
79. LSR 1074 → Ottava text on the right
80. LSR 1075 → Bracketed or parenthesized alternative KeySignature
81. LSR 1076 → Figured bass with alternate baroque notation
82. LSR 1077 → Automatic scaling of cadenza-like patterns in metered music
83. LSR 1078 → Numbering single measure rests
84. LSR 1079 → Merging nested system start brackets
85. LSR 108 → Grouping contexts
86. LSR 1080 → Incrementing bar numbers in volta repeats
87. LSR 1081 → Preventing double augmentation dots with identical notes in chords
88. LSR 1082 → Invert notes in a chord
89. LSR 1083 → Appoggiatura or grace note before a bar line
90. LSR 1084 → Of the ubiquity of markup objects
91. LSR 1085 → Harp muffle notation
92. LSR 1086 → Markup on clef
93. LSR 1087 → Adding or modifying Script articulations
94. LSR 1088 → Creating fret diagrams with chord names but no staff/staves using fret diagram markup
95. LSR 1089 → Modify only the current system
96. LSR 1090 → Using arbitrary markup as lyric hyphen
97. LSR 1091 → Setting multiple time signatures at the start of a bar
98. LSR 1092 → Encapsulated text
99. LSR 1093 → Contemporary glissando (2)
100. LSR 1094 → Key signature and small staff