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Showing below up to 50 results in range #51 to #100.
- Adding the current date to a score
- Adding the current date to the tagline
- Adding timing marks to long glissandi
- Adding volta brackets to additional staves
- Additional voices to avoid collisions
- Adjusting figured bass alteration glyphs
- Adjusting grace note spacing
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Adjusting the spacing of full measure notes
- Adjusting vertical positioning of lyric hyphens
- Adjusting vertical spacing of lyrics
- Affecting items only on the left or right of a line break (BarLines, KeySignatures, Clefs, etc.)
- Aiken head thin variant noteheads
- Airy tone
- Aligning and centering instrument names
- Aligning and centering instrument names (advanced)
- Aligning bar numbers
- Aligning columns from different markups
- Aligning marks with various notation objects
- Aligning objects created with the \mark command (obsolete in 2.23)
- Aligning syllables with melisma
- Aligning the ends of hairpins to NoteColumn directions
- Allowing fingerings to be printed inside the staff
- Alphabetically sorted index
- Altering the length of beamed stems
- Altering the number of stems in a beam
- Altering the shape of a default slur with a list of offsets
- Altering the shape of a default slur with a list of offsets (revised)
- Alternate lyrics context for song sheets
- Alternate lyrics context for song sheets (alternate)
- Alternating beam directions
- Alternative bar numbering
- Alternative breve notes
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Analysis brackets
- Analysis brackets above the staff
- Analysis brackets with labels
- Ancient accidentals
- Ancient fonts
- Ancient headword
- Ancient notation template – modern transcription of Gregorian music
- Ancient time signatures
- Anglican psalm template
- Appending a note to the tuplet text (using a scheme wrapper function)
- Applying note head styles (shapes) based on pitch or note name
- Applying note head styles depending on the step of the scale
- Applying tweaks to one voice in \partCombine