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Showing below up to 50 results in range #601 to #650.
- Changing the text for sustain markings (5 revisions)
- Color gradient using Postscript (5 revisions)
- Adding a figured bass above or below the notes (5 revisions)
- Tam-tam example (5 revisions)
- Adjusting figured bass alteration glyphs (5 revisions)
- Chords headword (5 revisions)
- File information (5 revisions)
- Wind headword (5 revisions)
- Moving dotted notes in polyphony (5 revisions)
- Percent repeat counter (5 revisions)
- Printing marks on every staff (5 revisions)
- Creating a “tacet al fine” rest (5 revisions)
- Coloring grobs and notational elements using a sophisticated music function (5 revisions)
- Creating fret diagrams with chord names but no staff/staves using fret diagram markup (5 revisions)
- Vertically aligning dynamics across multiple notes (5 revisions)
- Makam example (5 revisions)
- Using path expressions to override stencils (5 revisions)
- Automatic beam subdivisions (5 revisions)
- Automatically coloring grobs to indicate when their direction has been manually set (5 revisions)
- Contemporary glissando (2) (5 revisions)
- Creating a delayed turn (5 revisions)
- Vertical line as a baroque articulation mark (5 revisions)
- Three-sided box (5 revisions)
- Changing beam knee gap (5 revisions)
- Automatically change durations (5 revisions)
- Flip (5 revisions)
- Clef, key and time signature in square brackets (5 revisions)
- Lyrics above the staff they are assigned to (5 revisions)
- Breathing signs (5 revisions)
- Simple lead sheet (5 revisions)
- Several procedures to print different bar numbering rules (5 revisions)
- “Schleifer” ornament implemented as modified grace note (5 revisions)
- Changing stanza fonts (5 revisions)
- Hiding the extender line for text dynamics (5 revisions)
- Hymn template (5 revisions)
- Creating keyboard diagrams with chords or scales (5 revisions)
- Metric modulation with tuplet (5 revisions)
- Placing changes of clef, time signature and key signature at the beginning of a repeated section (5 revisions)
- Adding fingerings to tablatures (5 revisions)
- Lowest and highest pitch as chord (5 revisions)
- Positioning segno and coda (without line break) (5 revisions)
- Volta text markup using repeatCommands (5 revisions)
- Changing chord separator (5 revisions)
- Using double slurs for legato chords (5 revisions)
- Rhythmic slashes (5 revisions)
- Time signature in parentheses (5 revisions)
- Forcing visibility of systems with multi-bar rests when using \RemoveEmptyStaffContext (5 revisions)
- Printing text from right to left (5 revisions)
- Replacing default MIDI instrument equalization (5 revisions)
- Using the \tweak command to tweak individual grobs (5 revisions)