Pages with the fewest revisions
Showing below up to 50 results in range #651 to #700.
- Shortening volta brackets (5 revisions)
- Unfolding tremolo repeats (5 revisions)
- Adding a special post event function to implement precise MIDI velocity value control (5 revisions)
- Arabic improvisation (5 revisions)
- Modifying tuplet bracket length (5 revisions)
- Changing beam thickness and spacing (5 revisions)
- Fingering symbols for wind instruments (5 revisions)
- HTML color names table (5 revisions)
- Using non-standard clef positions and adding customized clef definitions (5 revisions)
- Easy rhythm template creation (5 revisions)
- Making glissandi breakable (5 revisions)
- Beams across line breaks (5 revisions)
- PostScript lines (5 revisions)
- Keeping a Lyrics context alive (5 revisions)
- Showing the same articulation above and below a note or chord (5 revisions)
- Numbers as easy note heads (5 revisions)
- Aligning the ends of hairpins to NoteColumn directions (5 revisions)
- Printing bar numbers with changing regular intervals (5 revisions)
- Applying note head styles (shapes) based on pitch or note name (5 revisions)
- Printing the bar number for the first measure (5 revisions)
- Altering the shape of a default slur with a list of offsets (revised) (5 revisions)
- Removing brace on first line of piano score (5 revisions)
- Adding an extra staff (2) (5 revisions)
- Inserting large plain text sections, as independent \markup blocks (5 revisions)
- Pitches headword (5 revisions)
- Using an extra voice for breaks (5 revisions)
- Forcing hyphens to be shown (5 revisions)
- Abbreviating bass note changes (5 revisions)
- SATB choir template (hymn template) two staves – one text for all voices (5 revisions)
- Ready-to-use LilyPond macros: advanced layout and titles, using a special stylesheet (5 revisions)
- Modifying default values for articulation shorthand notation (5 revisions)
- Vocal ensemble template with automatic piano reduction (5 revisions)
- Inserting score fragments above a staff, as markups (5 revisions)
- Contemporary glissando (5 revisions)
- Customizing markup fret diagrams (5 revisions)
- Changing the text for sustain markings (5 revisions)
- Color gradient using Postscript (5 revisions)
- Adding a figured bass above or below the notes (5 revisions)
- Tam-tam example (5 revisions)
- Adjusting figured bass alteration glyphs (5 revisions)
- Chords headword (5 revisions)
- File information (5 revisions)
- Wind headword (5 revisions)
- Moving dotted notes in polyphony (5 revisions)
- Percent repeat counter (5 revisions)
- Printing marks on every staff (5 revisions)
- Creating a “tacet al fine” rest (5 revisions)
- Coloring grobs and notational elements using a sophisticated music function (5 revisions)
- Creating fret diagrams with chord names but no staff/staves using fret diagram markup (5 revisions)
- Vertically aligning dynamics across multiple notes (5 revisions)