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Showing below up to 50 results in range #901 to #950.
- Defining an engraver in Scheme: ambitus engraver (6 revisions)
- Grouping contexts (6 revisions)
- Moving slur positions vertically (6 revisions)
- Showing chords at changes (6 revisions)
- Arrow between measures (7 revisions)
- Transposing pitches with minimum accidentals (“smart” transpose) (7 revisions)
- Customized Italian-style chords (7 revisions)
- Percussion example (7 revisions)
- Changing the default bar lines (7 revisions)
- Center text below hairpin dynamics (7 revisions)
- Keyboard headword (7 revisions)
- Eyeglasses as markup (7 revisions)
- Mozart’s Musikalisches Würfelspiel (7 revisions)
- Chord names alternative (7 revisions)
- Coloring elements of notation (7 revisions)
- Complex time signatures (7 revisions)
- Flamenco spanner (7 revisions)
- Suppressing warnings for clashing note columns (7 revisions)
- Horizontally aligning custom dynamics like “più f” (7 revisions)
- Embedding native PostScript in a \markup block (7 revisions)
- Creating custom key signatures (7 revisions)
- Using ly:grob-object to access grobs with \tweak (7 revisions)
- Using \arpeggioBracket to make divisi more visible (7 revisions)
- Adding timing marks to long glissandi (7 revisions)
- Ambitus (7 revisions)
- Repeat with brackets (7 revisions)
- Skips in lyric mode (7 revisions)
- Chord changes for fretboards (7 revisions)
- Box around notes (7 revisions)
- Turkish Makam example (7 revisions)
- Vertically aligned StaffGroups without connecting SystemStartBar (7 revisions)
- Changing the staff size (7 revisions)
- Clef change at the beginning of a piece (7 revisions)
- Dynamics spanner with custom text (2) (7 revisions)
- Drawing circles around note heads (7 revisions)
- Heavily customized polymetric time signatures (7 revisions)
- Different font size settings for instrumentName and shortInstrumentName (7 revisions)
- Maria durch ein Dornwald ging (7 revisions)
- Custom clef and incipit spacing for Gregorian chant (7 revisions)
- Using \autoChange with more than one voice (7 revisions)
- Accordion discant symbols (7 revisions)
- Forcing measure width to adapt to a metronome mark’s width (7 revisions)
- Modifying the ottava spanner slope (7 revisions)
- Preventing final mark from removing final tuplet (7 revisions)
- Time signature with alternate in parentheses (7 revisions)
- Using tags to produce mensural and modern music from the same source (7 revisions)
- Clusters (7 revisions)
- Generating random notes (7 revisions)
- Forcing rehearsal marks to start from a given letter or number (7 revisions)
- Keep change clefs full-sized (7 revisions)