Category:Included in the official documentation
Appearance
Pages in this category are part of the official LilyPond documentation, available in the ‘Snippets’ manual. A subset is also included in the Notation Reference.
The selection of the snippets that are added to the LilyPond documentation is done at the discretion of the LilyPond maintainers, so please don't add the ‘Included in the official documentation’ category by yourself.
There are some formatting guidelines that must be obeyed so that inclusion into the LilyPond documentation works.
- The first part of the page is a textual description of what the snippet does, without a LilyPond code block. This text gets converted to the Texinfo format (as used for all documentation in the LilyPond project) by the pandoc converter.
- Please be careful with adding links (i.e., either [...] or [[...]]). While it is OK to add links to other “official” documentation snippets, you should avoid links to generic topics like “rests” or “skips”, contrary to what you would do in a “normal” Wiki like Wikipedia.
- The second part is the actual LilyPond code block. It must compile with the current stable release. Comments that start with
% LSRare removed during the import; use such comments for discussion links, for example, that should not show up in the Notation Reference.
- No further explanatory text is allowed after the LilyPond code.
- At the end of page come the categories. At least one other snippet category besides ‘Included in the official documentation’ must be specified so that it can be properly grouped in the manual.
Pages in category "Included in the official documentation"
The following 200 pages are in this category, out of 386 total.
(previous page) (next page)A
- Accordion register symbols
- Adding a figured bass above or below the notes
- Adding a QR code
- Adding ambitus per voice
- Adding an extra staff
- Adding an extra staff at a line break
- Adding an ottava marking to a single voice
- Adding bar lines to ChordNames context
- Adding beams, slurs, ties, etc., when using tuplet and non-tuplet rhythms
- Adding drum parts
- Adding extra fingering with Scheme
- Adding fingerings to a score
- Adding fingerings to tablatures
- Adding indicators to staves which get split after a break
- Adding links to objects
- Adding markups in a tablature
- Adding orchestral cues to a vocal score
- Adding parentheses around an expressive mark or chordal note
- Adding the current date to a score
- Adding timing marks to long glissandi
- Additional voices to avoid collisions
- Adjusting figured bass alteration glyphs
- Adjusting grace note spacing
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Adjusting vertical spacing of lyrics
- Aiken head thin variant noteheads
- Aligning and centering instrument names
- Aligning bar numbers
- Aligning syllables with melisma
- Aligning the ends of hairpins to NoteColumn directions
- Allowing fingerings to be printed inside the staff
- Altering the length of beamed stems
- Alternative bar numbering
- Alternative breve notes
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Analysis brackets above the staff
- Analysis brackets with labels
- Ancient fonts
- Ancient headword
- Ancient notation template – modern transcription of Gregorian music
- Ancient time signatures
- Anglican psalm template
- Applying note head styles depending on the step of the scale
- Appoggiatura or grace note before a bar line
- Arabic improvisation
- Arranging separate lyrics on a single line
- Asymmetric slurs
- Automatic beam subdivisions
- Automatic fretboards barré
- Automatically change durations
- Automatically changing the stem direction of the middle note based on the melody
B
C
- Caesura (“railtracks”) with fermata
- Center text below hairpin dynamics
- Changing a single note’s size in a chord
- Changing beam knee gap
- Changing beam thickness and spacing
- Changing chord separator
- Changing form of multi-measure rests
- Changing fret orientations
- Changing MIDI output to one channel per voice
- Changing ottava text
- Changing properties for individual grobs
- Changing stanza fonts
- Changing text and spanner styles for text dynamics
- Changing the ambitus gap
- Changing the appearance of a slur from solid to dotted or dashed
- Changing the breath mark symbol
- Changing the chord names to German or semi-German notation
- Changing the default bar lines
- Changing the default text font family
- Changing the interval of lines on the stave
- Changing the number of augmentation dots per note
- Changing the number of lines in a staff
- Changing the positions of figured bass alterations
- Changing the size of woodwind diagrams
- Changing the staff size
- Changing the tempo without a metronome mark
- Changing the text for sustain markings
- Changing the tuplet number
- Changing time signatures inside a polymetric section using \scaleDurations
- Changing \partCombine texts
- Chant or psalm notation
- Chord changes for fretboards
- Chord glissando in tablature
- Chord name exceptions
- Chord name major7
- Chords headword
- Chords with stretched fingering for FretBoards and TabVoice
- Clefs can be transposed by arbitrary amounts
- Clip systems
- Clusters
- Coloring notes depending on their pitch
- Combining dynamics with markup texts
- Combining two parts on the same staff
- Compound time signatures
- Conducting signs, measure grouping signs
- Contemporary glissando
- Controlling spanner visibility after a line break
- Controlling the appearance of tremolo slashes
- Controlling the placement of chord fingerings
- Controlling the vertical ordering of scripts
- Controlling tuplet bracket visibility
- Cow and ride bell example
- Creating a delayed turn
- Creating a sequence of notes on various pitches
- Creating arpeggios across notes in different voices
- Creating blank staves
- Creating cross-staff arpeggios in a piano staff
- Creating cross-staff arpeggios in other contexts
- Creating custom dynamics in MIDI output
- Creating custom key signatures
- Creating double-digit fingerings
- Creating metronome marks in markup mode
- Creating slurs across voices
- Creating text spanners
- Creating “real” parenthesized dynamics
- Cross-staff chords – beaming problems workaround
- Cross-staff stems
- Cross-staff tremolos
- Custodes
- Customizing fretboard fret diagrams
- Customizing markup fret diagrams
- Customizing the chord grid style
- Customizing the no-chord symbol
- Customizing the position and number of dots in repeat sign bar lines
D
- Default direction of stems on the center line of the staff
- Defining an engraver in Scheme: ambitus engraver
- Demo MidiInstruments
- Demonstrating all \header fields
- Different font size settings for instrumentName and shortInstrumentName
- Direction of merged ‘fa’ shape note heads
- Display bracket with only one staff in a system
- Displaying a whole GrandStaff system if only one of its staves is alive
- Displaying complex chords
- Displaying grob ancestry
- Dotted harmonics
- Drawing boxes around grobs
- Drawing circles around note heads
- Drawing circles around various objects
- Dynamics spanner with custom text
E
F
- Figured bass headword
- Fine-tuning pedal brackets
- Fingering symbols for wind instruments
- Fingerings, string indications, and right-hand fingerings
- Flamenco notation
- Flat ties
- Flute slap notation
- Force a cancellation natural before accidentals
- Forcing a clef symbol to be displayed
- Forcing horizontal shift of notes
- Forcing hyphens to be shown
- Forcing measure width to adapt to a metronome mark’s width
- Forcing rehearsal marks to start from a given letter or number
- Formatting lyrics syllables
- Fret diagrams explained and developed
- Fretboards alternate tables
- Fretted headword
- Fretted-string harmonics in tablature
G
- Generate special note head shapes
- Generating custom flags
- Generating random notes
- Generating whole scores (also book parts) in Scheme without using the parser
- Glissandi can skip grobs
- Graphical and text woodwind diagrams
- Grid lines: changing their appearance
- Grid lines: emphasizing rhythms and notes synchronization
- Guitar slides
- Guitar strum rhythms
H
- Hairpins with different line styles
- Hammer-on and pull-off
- Hammer-on and pull-off using chords
- Hammer-on and pull-off using voices
- Heavily customized polymetric time signatures
- Hiding accidentals on tied notes at the start of a new system
- Hiding the extender line for text dynamics
- High and low woodblock example
- Horizontally aligning custom dynamics like “più f”
- How to change fret diagram position
- How to put ties between syllables in lyrics
- Hymn template