Pages with the fewest revisions

Showing below up to 50 results in range #951 to #1,000.

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  1. Extracting text from markup (7 revisions)
  2. Easily enter music expressions in markup (obsolete in 2.23) (7 revisions)
  3. Chord name exceptions (7 revisions)
  4. Printing music with different time signatures (7 revisions)
  5. Creating guitar scales on fretboards (7 revisions)
  6. Page label (7 revisions)
  7. Positioning multi-measure rests (7 revisions)
  8. Ancient notation template – modern transcription of Gregorian music (7 revisions)
  9. Arrow between measures (7 revisions)
  10. Transposing pitches with minimum accidentals (“smart” transpose) (7 revisions)
  11. Customized Italian-style chords (7 revisions)
  12. Percussion example (7 revisions)
  13. Changing the default bar lines (7 revisions)
  14. Center text below hairpin dynamics (7 revisions)
  15. Basic grace echo purger (8 revisions)
  16. Two \partCombine pairs on one staff (8 revisions)
  17. Using arbitrary markup as lyric hyphen (8 revisions)
  18. Custodes (8 revisions)
  19. Consistently left-aligned bar numbers (obsolete in 2.23) (8 revisions)
  20. Ancient headword (8 revisions)
  21. Warn about missing repeat (8 revisions)
  22. Chant or psalm notation (8 revisions)
  23. Changing a single note’s size in a chord (8 revisions)
  24. Separating key cancellations from key signature changes (8 revisions)
  25. Generate special note head shapes (8 revisions)
  26. Segno or coda on top of rehearsal mark (8 revisions)
  27. Adding the current date to the tagline (8 revisions)
  28. Skips in lyric mode (2) (8 revisions)
  29. Multi-measure rest length control (8 revisions)
  30. Initial clef change (8 revisions)
  31. Clef change at the beginning of a piece (alternative) (8 revisions)
  32. Combining dynamics with markup texts (8 revisions)
  33. Making an object invisible using \hide (8 revisions)
  34. Implementing a counter in markup text (8 revisions)
  35. Positioning grace notes with floating space (8 revisions)
  36. Up-down bow (8 revisions)
  37. Print chord names with same root and different bass as slash and bass note (8 revisions)
  38. Clip systems (8 revisions)
  39. Lyrics alignment (8 revisions)
  40. Ripped, torn staff-lines (8 revisions)
  41. Non-traditional key signatures (8 revisions)
  42. Many types of bar lines (8 revisions)
  43. Display non-English chord names (9 revisions)
  44. Ambitus after key signature (9 revisions)
  45. Indenting individual systems (9 revisions)
  46. Flat ties (9 revisions)
  47. Generating whole scores (also book parts) in Scheme without using the parser (9 revisions)
  48. Rest styles (9 revisions)
  49. Big time signatures (9 revisions)
  50. Extending a trill spanner (9 revisions)

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