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- (Correctly aligned) different dispersions of text in different stanzas
- A function to repeatedly print a given pattern with different notes
- Abbreviating bass note changes
- Abbreviations for articulations
- Absolute positioning of markup elements (laying out tables)
- Acciaccatura markup
- Accidental adjustments for single-voice polyphony
- Accordion-discant symbols
- Accordion register symbols
- Add wings to all repeat barlines (simple version)
- Adding a Special Post Event Function to Implement Precise MIDI Velocity Value Control
- Adding a figured bass above or below the notes
- Adding accidentals to a trillspanner
- Adding ambitus per voice
- Adding an extra staff
- Adding an extra staff (2)
- Adding an extra staff at a line break
- Adding an ottava marking to a single voice
- Adding articulation marks using Scheme (advanced)
- Adding articulation marks using Scheme (simple)
- Adding articulations from a template
- Adding augmentation dots
- Adding automatic octaves to a melody
- Adding bar lines to ChordNames context
- Adding beams, slurs, ties etc. when using tuplet and non-tuplet rhythms
- Adding double and triple tonguing indications for woodwind
- Adding drum parts
- Adding extra fingering with Scheme
- Adding fingerings (or string numbers or stroke fingerings) outside of the music code
- Adding fingerings to a score
- Adding fingerings to a score using markup objects
- Adding fingerings to chords
- Adding fingerings to tablatures
- Adding indicators to staves which get split after a break
- Adding instrument name and clef change to cue notes
- Adding line between fingerings or a glissando between nonadjacent notes
- Adding line breaks in MIDI Karaoke lyrics without disrupting printed score
- Adding links to objects
- Adding markup to part of a syllable connected with lyric ties (~)
- Adding markups in a tablature
- Adding metronome ticks to a piece of music
- Adding notes
- Adding notes to the notes of a melody
- Adding or modifying Script articulations
- Adding orchestral cues to a vocal score
- Adding parentheses around an expressive mark or chordal note
- Adding punctuation to the end of an extender in melismata
- Adding rests
- Adding the current date to a score
- Adding the current date to the tagline
- Adding timing marks to long glissandi
- Adding volta brackets to additional staves
- Additional voices to avoid collisions
- Adjusting figured bass alteration glyphs
- Adjusting grace note spacing
- Adjusting lyrics vertical spacing
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Adjusting the spacing of full measure notes
- Adjusting vertical positioning of lyric hyphens
- Affecting items only on the left or right of a line break (BarLines, KeySignatures, Clefs, etc.)
- Aiken head thin variant noteheads
- Airy tone
- Aligning and centering instrument names
- Aligning and centering instrument names (advanced)
- Aligning bar numbers
- Aligning columns from different markups
- Aligning marks with various notation objects
- Aligning syllables with melisma
- Aligning the ends of hairpins to NoteColumn directions
- Allowing fingerings to be printed inside the staff
- Alphabetically sorted index
- Altering the length of beamed stems
- Altering the number of stems in a beam
- Altering the shape of a default slur with a list of offsets
- Alternate lyrics context for song sheets
- Alternate lyrics context for song sheets (alternate)
- Alternating beam directions
- Alternative bar numbering
- Alternative breve notes
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Analysis brackets
- Analysis brackets above the staff
- Analysis brackets with labels
- Ancient accidentals
- Ancient fonts
- Ancient headword
- Ancient notation template -- modern transcription of Gregorian music
- Ancient time signatures
- Anglican psalm template
- Appending a note to the tuplet text (using a scheme wrapper function)
- Applying note head styles (shapes) based on pitch or note name
- Applying note head styles depending on the step of the scale
- Applying tweaks to one voice in \partCombine
- Appoggiatura or grace note before a bar line
- Arabic chant
- Arabic improvisation
- Arpeggio bracket
- Arpeggios in polyphonic music
- Arranging separate lyrics on a single line
- Arrow notation and transposition for quarter tones
- Arrows
- Arrows-line function with text spanners
- Associate drumnotes with custom NoteHead stencils
- Associating lyrics with voices in \ChoirStaff
- Asymmetric slurs
- Autochange music with a different pitch
- Automatic Fretboards Barre
- Automatic beam subdivisions
- Automatic beams two per two in 4/4 or 2/2 time signature
- Automatic click track
- Automatic scaling of cadenza-like patterns in metered music
- Automatic slash for slashedGrace and acciaccatura
- Automatic spacing behavior
- Automatically adding fingering diagrams for tin whistle
- Automatically adjusting lyric placement for natural note spacing
- Automatically change durations
- Automatically changing the stem direction of the middle note based on the melody
- Automatically coloring grobs to indicate when their direction has been manually set
- Automatically creating a drone part from a given melody
- Automatically display key names above key signatures
- Avoiding collision in single staff polyphony
- Avoiding collisions with chord fingerings
- Bach's Accent steigend and Accent fallend
- Background color
- Baroque Slash ornaments between chords
- Baroque lute tablature
- Basic Grace Echo Purger
- Basic Roman Numeral and Figured Bass Analysis
- Beam endings in Score context
- Beam grouping with non-standard time signatures
- Beam nibs
- Beams across line breaks
- Beat hints for rhythm
- BendAfter supports microtonal bends
- Blanking staff lines using the \whiteout command
- Bold tenuto
- Book parts
- Box around notes
- Bracketed Passages
- Bracketed accidentals
- Bracketed or parenthesized alternative KeySignature
- Brackets indicating "Hauptstimme" and "Nebenstimme"
- Breaking vertical alignment of dynamics and textscripts
- Breathing signs
- Broken Crescendo Hairpin
- Broken TextSpan for gradual tempo changes on page turns
- Caesura ("railtracks") with fermata
- Center Lyric Syllables (ignoring punctuation)
- Center text below hairpin dynamics
- Centered measure numbers
- Centering a stencil on another stencil
- Centering markup on note heads automatically
- Centering multi-measure rests
- Changing MIDI output to one channel per voice
- Changing \flageolet mark size
- Changing \partCombine texts
- Changing a single note's size in a chord
- Changing beam knee gap
- Changing beam thickness and spacing
- Changing breathe marks to markup text
- Changing chord separator
- Changing form of multi-measure rests
- Changing fret orientations
- Changing ottava text
- Changing properties for individual grobs
- Changing stanza fonts
- Changing stems direction without affecting rests
- Changing text and spanner styles for text dynamics
- Changing the ambitus gap
- Changing the appearance of a slur from solid to dotted or dashed
- Changing the appearance of forced, cautionary and suggested accidentals
- Changing the appearance of the number of Clef Modifier
- Changing the breath mark symbol
- Changing the chord names to German or semi-German notation
- Changing the default bar lines
- Changing the default text font family
- Changing the font to small caps
- Changing the interval of lines on the stave
- Changing the number of augmentation dots per note
- Changing the number of lines in a staff
- Changing the positions of figured bass alterations
- Changing the size of a staff with a music function
- Changing the size of layout objects
- Changing the size of note heads
- Changing the size of woodwind diagrams
- Changing the staff size
- Changing the tempo without a metronome mark
- Changing the text for sustain markings
- Changing the tuplet number
- Changing the width of ledger lines
- Changing the width of ledger lines for a group of notes
- Changing time signatures inside a polymetric section using \scaleDurations
- Chant or psalms notation
- ChordChanges for FretBoards
- ChordNames in a ChordMarkup-context
- Chord Names and Lyrics without a Staff
- Chord glissando in tablature
- Chord name exceptions
- Chord name major7
- Chord names, lyrics and blank staff
- Chord names alternative
- Chord with ties and interval bigger than a fifth (tie fix)
- Chords entry - simultaneous notes
- Chords headword
- Chords with one normal note head and multiple small note heads
- Chords with stretched fingering for FretBoards and TabVoice
- Circle of Fifths
- Circled numbers for live electronics
- Circled pattern markup
- Clarinet fingering chart and tablatures
- Clef, key and time signature in square brackets
- Clef change at the beginning of a piece
- Clef change at the beginning of a piece (alternative)
- Clefs
- Clefs can be transposed by arbitrary amounts
- Clip systems
- Clusters
- Coda ahead of a line of its own
- Color Gradient using Postscript
- Colored arrow
- Colored arrows (alternative method)
- Colored background
- Colored background for markup text
- Colored boxes around / behind notes
- Colored notes with black outlines, colors based on note name and alteration
- Coloring elements of notation
- Coloring grobs and notational elements using a sophisticated music function
- Coloring individual staff lines
- Coloring notes depending on their pitch
- Coloring notes depending on their pitch (alternate version)
- Coloring objects
- Coloring staves
- Coloring successive intervals
- Combining a time signature glyph and a default time signature
- Combining beam and slur in one keystroke
- Combining dynamics with markup texts
- Combining pedal notes with clef changes
- Combining two parts on the same staff
- Compare and adjust parts with different volta settings to create a score
- Compilation error on music overflow
- Complex compound time signatures
- Compound time signatures
- Conducting signs, measure grouping signs
- Connecting groups of beamed notes with a single beam
- Consecutive tremolos
- Consistently left-aligned bar numbers
- Contemporary glissando
- Contemporary glissando 2
- Controlling beam damping
- Controlling formatting of prefatory items
- Controlling of the pitch range in a score
- Controlling spanner visibility after a line break
- Controlling the appearance of tremolo slashes
- Controlling the placement of chord fingerings
- Controlling the vertical ordering of scripts
- Controlling the vertical ordering of scripts (2)
- Controlling tuplet bracket visibility
- Cow and ride bell example
- Creating "real" parenthesized dynamics
- Creating a Schenker Graph
- Creating a custom clef glyph
- Creating a delayed turn
- Creating a sequence of notes on various pitches
- Creating a short ossia section with lyrics
- Creating a “tacet al fine” rest
- Creating arbitrary lines following notes across staves
- Creating arpeggios across notes in different voices
- Creating blank staves
- Creating chord rhythm guides
- Creating clarinet fingering symbol
- Creating cross-staff arpeggios in a piano staff
- Creating cross-staff arpeggios in other contexts
- Creating custom dynamics in MIDI output
- Creating custom key signatures
- Creating double-digit fingerings
- Creating fret diagrams with chord names but no staff/staves using fret diagram markup
- Creating guitar scales on fretboards
- Creating harp glissandi
- Creating jazz-style repeats
- Creating keyboard diagrams with chords or scales
- Creating metronome marks in markup mode
- Creating music sheet with blank piano staves
- Creating music with Scheme (music box)
- Creating slurs across voices
- Creating text spanners
- Cross-staff arpeggio brackets
- Cross-staff chords - beaming problems workaround
- Cross-staff stems
- Cross-staff tremolos
- Crossing staves
- Cue with lyrics
- Curly bracket with variable length (path)
- Curly end barline
- Curved arrow
- Custodes
- Custom tuning and MIDI rendering
- Customising note heads
- Customized accidentals
- Customized drum notation in printed and MIDI output
- Customized italian style chords
- Customizing Chord Symbols - Global
- Customizing fretboard fret diagrams
- Customizing individual staff lines
- Customizing markup fret diagrams
- Customizing the chord grid style
- Customizing the no-chord symbol
- Customizing the position and number of dots in repeat sign bar lines
- Damping sign using a balloon help
- Damping sign using a glissando
- Dark Mode Sheet Music
- Dashed individual staff lines
- Dashed slurs indicating optional slurs between lyric lines
- Default direction of stems on the center line of the staff
- Define shorthand for text spanner, like rit. or rall.
- Defining a Custom Staff Context
- Defining an engraver in Scheme: ambitus engraver
- Defining predefined fretboards for other instruments
- Demo MidiInstruments
- Demonstrating LilyPond support for figured bass
- Demonstrating all headers
- Demonstrating the power and flexibility of the \markup function
- Different font size settings for instrumentName and shortInstrumentName
- Differently colored note heads in one staff
- Direction of merged 'fa' shape note heads
- Disabling the TAB symbol at the beginning of a TabStaff
- Display bracket with only one staff in a system
- Displaying a whole GrandStaff system if only one of its staves is alive
- Displaying all grob properties and their actual values
- Displaying bar lines on lyrics
- Displaying bar numbers on a separate staff
- Displaying bar numbers on all measures
- Displaying bar numbers only when point-and-click is enabled
- Displaying complex chords
- Displaying grob ancestry
- Displaying the exact extent of a system
- Displaying the version number with conditionals (if then) using Scheme
- Distancing an accidental from the note using the right padding property
- Distancing the metronome sign
- Divisiones
- Dodecaphonic staff
- Dodecaphonic staff with accurate ledger lines
- Dotted harmonics