All pages with prefix
- A function to repeatedly print a given pattern with different notes
- Abbreviating bass note changes
- Abbreviations for articulations
- Absolute positioning of markup elements (laying out tables)
- Acciaccatura markup
- Accidental adjustments for single-voice polyphony
- Accordion discant symbols
- Accordion register symbols
- Add wings to all repeat barlines (simple version)
- Adding a QR code
- Adding a figured bass above or below the notes
- Adding a laissezVibrer tie to only one note of a chord (obsolete in 2.23)
- Adding a special post event function to implement precise MIDI velocity value control
- Adding accidentals to a trillspanner
- Adding ambitus per voice
- Adding an extra staff
- Adding an extra staff (2)
- Adding an extra staff at a line break
- Adding an ottava marking to a single voice
- Adding articulation marks using Scheme (advanced)
- Adding articulation marks using Scheme (simple)
- Adding articulations from a template
- Adding augmentation dots
- Adding automatic octaves to a melody
- Adding bar lines to ChordNames context
- Adding beams, slurs, ties, etc., when using tuplet and non-tuplet rhythms
- Adding double and triple tonguing indications for woodwind
- Adding drum parts
- Adding extra fingering with Scheme
- Adding fingerings (or string numbers or stroke fingerings) outside of the music code
- Adding fingerings to a score
- Adding fingerings to a score using markup objects
- Adding fingerings to chords
- Adding fingerings to tablatures
- Adding indicators to staves which get split after a break
- Adding instrument name and clef change to cue notes
- Adding line between fingerings or a glissando between nonadjacent notes
- Adding line breaks in MIDI Karaoke lyrics without disrupting printed score
- Adding links to objects
- Adding markup to part of a syllable connected with lyric ties (~)
- Adding markups in a tablature
- Adding metronome ticks to a piece of music
- Adding notes
- Adding notes to the notes of a melody
- Adding or modifying Script articulations
- Adding orchestral cues to a vocal score
- Adding parentheses around an expressive mark or chordal note
- Adding punctuation to the end of an extender in melismata
- Adding rests
- Adding the current date to a score
- Adding the current date to the tagline
- Adding timing marks to long glissandi
- Adding volta brackets to additional staves
- Additional voices to avoid collisions
- Adjusting figured bass alteration glyphs
- Adjusting grace note spacing
- Adjusting slur positions vertically
- Adjusting the shape of falls and doits
- Adjusting the spacing of full measure notes
- Adjusting vertical positioning of lyric hyphens
- Adjusting vertical spacing of lyrics
- Affecting items only on the left or right of a line break (BarLines, KeySignatures, Clefs, etc.)
- Aiken head thin variant noteheads
- Airy tone
- Aligning and centering instrument names
- Aligning and centering instrument names (advanced)
- Aligning bar numbers
- Aligning columns from different markups
- Aligning marks with various notation objects
- Aligning objects created with the \mark command (obsolete in 2.23)
- Aligning syllables with melisma
- Aligning text marks to notes
- Aligning the ends of hairpins to NoteColumn directions
- Allowing fingerings to be printed inside the staff
- Alphabetically sorted index
- Altering the length of beamed stems
- Altering the number of stems in a beam
- Altering the shape of a default slur with a list of offsets
- Altering the shape of a default slur with a list of offsets (revised)
- Alternate lyrics context for song sheets
- Alternate lyrics context for song sheets (alternate)
- Alternating beam directions
- Alternative bar numbering
- Alternative breve notes
- Ambitus
- Ambitus after key signature
- Ambitus with multiple voices
- Analysis brackets
- Analysis brackets above the staff
- Analysis brackets with labels
- Ancient accidentals
- Ancient fonts
- Ancient headword
- Ancient notation template – modern transcription of Gregorian music
- Ancient time signatures
- Anglican psalm template
- Appending a note to the tuplet text (using a scheme wrapper function)
- Applying note head styles (shapes) based on pitch or note name
- Applying note head styles depending on the step of the scale
- Applying tweaks to one voice in \partCombine
- Appoggiatura or grace note before a bar line
- Arabic chant
- Arabic improvisation
- Arpeggio bracket
- Arpeggios in polyphonic music
- Arranging separate lyrics on a single line
- Arrow between measures
- Arrow notation and transposition for quarter tones
- Arrows
- Arrows-line function with text spanners
- Articulation
- Associate drumnotes with custom NoteHead stencils
- Associating lyrics with voices in \ChoirStaff
- Asymmetric slurs
- Autochange music with a different pitch
- Automatic beam subdivisions
- Automatic beams two per two in 4/4 or 2/2 time signature
- Automatic click track
- Automatic fretboards barré
- Automatic scaling of cadenza-like patterns in metered music
- Automatic slash for slashedGrace and acciaccatura
- Automatic spacing behavior
- Automatically adding fingering diagrams for tin whistle
- Automatically adjusting lyric placement for natural note spacing
- Automatically change durations
- Automatically changing the stem direction of the middle note based on the melody
- Automatically coloring grobs to indicate when their direction has been manually set
- Automatically convert beams into slurs to indicate melisma
- Automatically creating a drone part from a given melody
- Automatically display key names above key signatures
- Avoiding collision in single staff polyphony
- Avoiding collisions with chord fingerings